The Brainstorm of Creative Experience -- The Ontopoiesis of Leonardo da Vinci'S Brainstorm Drawings -- Phenomenology of the Countenance: Portraying the Soul, Staging a Lived Experience -- Principios de Objetividad Poética -- Essential Poiesis -- Musical Progeny: The Case of Phenomenology and Music -- Art, Alterity and Logos: In the Spaces of Separation -- Logos, Rationale and Desire in Convergent Art Practices -- The Work of Art and Its Experiential Radius -- Phenomenological Interretation of the Work of Art: R. Ingarden, M. Dufrenne, P. Ricoeur -- Painting from the Heart: Beauty, Moore and Merleau-Ponty's Wholes of Visibility -- On Phenomenology of Memory and Memorial (in Terms of Architectural and Landscaping Creations) -- Patina - Atmosphere - Aroma -- The Persistence of Phenomenological Time: Reflections on Three Recent Chinese Films -- Notes on the Art of Memory -- The Truth of Suffering (Levinas) and the Truth Crystallized in the Work of Art -- Various Aesthetic Rays in Literature -- Articulate Spontaneity and the Aesthetic Imagination -- Exploring Aesthetic Perception of the Real in Iris Murdoch'S the Black Prince -- Fiction and the Growth of Moral Consciousness: Attention and Evil -- Phenomenology of Emotions: Aurel Kolnai's on Disgust and Jacobean Drama -- Light/Shadow -- A Phenomenological Theory of Literary Creativity: Ricoeur and Joyce -- Basic Conditionings of the Inner and Corporeal Life -- Phenomenology for World Reconstruction.

Having established in the ontopoiesis/phenomenology of life the creative function of the human being as the fulcrum of our beingness-in-becoming, let us now turn to investigate the creative logos. In this collection, the momentum of a gathering "creative brainstorm" leads to the vertiginous imaginative transformability of the creative logos as it ciphers through the aesthetic sense, the elements of experience - sensing, feeling, emotions, forming - in works of art, thus lifting human experience into spirit and culture.